![]() ![]() It’s also where Abrahams reacts strongly by inviting Mussabini to coach him.įirst Pinch Point: Abrahams and Liddell race against each other for the first time-and Liddell beats Abrahams, who is devastated. Up to this point, we’ve already seen Abrahams’s driving goal of running his opponents “off their feet.” But this is where Liddell finally crosses his path. This is the First Plot Point, not just because of its timing, but because this is the moment where the main conflict truly begins. Afterwards, he asks Mussubini to coach him. But it works admirably here.įirst Plot Point: Abrahams watches Liddell win an impossible race. This wouldn’t be a good solution for most stories with more classic antagonists. But the filmmakers cleverly use this structure to set up the conflict by introducing Liddell here and then spending most of rest of the First Act developing him, just as they previously developed Abrahams. Liddell is all the way across the kingdom in Scotland in this scene, and at this point there’s not even any indication that Abrahams is aware of him. But structurally, the turning point of the First Act (and thus the Inciting Event) is in fact Liddell’s introduction in the subsequent scene. His Inciting Event is nominally his breaking of Cambridge’s record. The first eighth of the story is devoted to Harold Abrahams. But actually, Abrahams is the clear protagonist with Liddell being the antagonist (at least for the first half). On the surface, this seems to be a story with two protagonists: English runner Harold Abrahams and Scottish runner Eric Liddell. The structure of this movie is particularly interesting in framing the antagonistic force. Inciting Event: Eric Liddell is introduced. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |